Hawthorn & Child

Hawthorn Child The two protagonists of the title are mid ranking policemen operating amongst London s criminal classes but each is plagued by dreams of elsewhere and in the case of Hawthorn a nightlife of viscera

  • Title: Hawthorn & Child
  • Author: Keith Ridgway
  • ISBN: 9781847085269
  • Page: 427
  • Format: Hardcover
  • The two protagonists of the title are mid ranking policemen operating amongst London s criminal classes, but each is plagued by dreams of elsewhere and, in the case of Hawthorn, a nightlife of visceral intensity that sits at odds with his carefully composed placid family mask but has the habit of spilling over into his working life as a policeman Ridgway has much to say,The two protagonists of the title are mid ranking policemen operating amongst London s criminal classes, but each is plagued by dreams of elsewhere and, in the case of Hawthorn, a nightlife of visceral intensity that sits at odds with his carefully composed placid family mask but has the habit of spilling over into his working life as a policeman Ridgway has much to say, through showing not telling, about male violence, crowd psychology, the borders between play and abuse, and the motivations of policemen and criminals But this is no humdrum crime novel Ridgway is writing about people whose understanding of their own situations is only partial and fuzzy, who are consumed by emotions and motivations and narratives, or the lack thereof, that they cannot master He focuses on peripheral figures to whom things happen, and happen confusingly, and his fictional strategies reflect this focus, so that his fictions themselves have an air of incompleteness and frustration about them It s a high wire act for a novelist but one that commands attention and provokes the dropping of jaws.

    • Hawthorn & Child : Keith Ridgway
      427 Keith Ridgway
    • thumbnail Title: Hawthorn & Child : Keith Ridgway
      Posted by:Keith Ridgway
      Published :2019-06-18T14:20:41+00:00

    About " Keith Ridgway "

  • Keith Ridgway

    Keith Ridgway Is a well-known author, some of his books are a fascination for readers like in the Hawthorn & Child book, this is one of the most wanted Keith Ridgway author readers around the world.


  • Much like this review, this book starts out with a boner. Tone? Set? Sort of. I don't want to give the impression that this book is juvenile in nature, but it's important for you to know that it's not, not, not a straight police procedural. It's one of them there genre-benders, which uses the premise of a modern London team of homicide coppers investigating things to revel in a number of stylistically variant vignettes. Yes, there is a shooting. Yes, the shooting is investigated. However, stuff [...]

  • For a book I'd wanted to read for so long - and really enjoyed - I'm finding it surprisingly difficult to think of anything to say about Hawthorn & Child. Part of the problem is that it's so difficult to describe: each chapter is totally different to the last, but they aren't really short stories either, more like interconnected vignettes. The characters of the title - two London policemen - appear or are referenced in every chapter, but they are rarely central to what happens and they remai [...]

  • Hawthorn & Child is just the sort of book I had in mind when I wrote this blog post about coming to appreciate different literary aesthetics; its incoherence would have left me cold a few years ago, but now I can see more clearly what the book is doing. The title characters are police detectives, and therefore characters whom we would generally expect to bring coherence to the world – but Ridgway creates a study of lives refusing to cohere.Structurally, the novel is fragmented: a series of [...]

  • Much-fêted in the UK literary blogosphere; less well-rated on . The latter seemingly because some readers of crime fiction object to the loose ends. Having found it easy to read, clever and fun, I'm siding with the bloggers. I picked up H&C because I couldn't read Tolstoy after a poor night's sleep; wondering what to choose, I'd been prompted by this blogger who's also tackling a tsundoku problem, with more single-minded resolve than I am - I had two of the same titles from that list outsta [...]

  • I enjoyed the beginning of this book, but by half way through I had lost patience, and just wanted to get to the end. By two thirds of the way through I didn't care if I finished it at all. Perhaps I am not clever enough to appreciate the nuances and style of writing. I like a book to be challenging, but I don't like to be left feeling unfulfilled and bewildered.

  • incredible noir capturing modern day crime and detection and the "why bother, it;s all going to shit anyway?" situations many find themselves in, during these times. a new directions book, perhaps a first for them? a detective novel. like these great reads An Occasional Dream and The Black Minutes and Beautiful, Naked & Dead and bolano booksi forgot to add, no crimes are solved

  • keith ridgway's hawthorn & child is a curious, strange, often delightful work that cannot really be described as a novel in any traditional sense of the word. more a collection of stories or vignettes connected by the two titular characters, the irish author's ambitious work is humorous, imaginative, and, at times, surprisingly moving. focusing on the professional and personal lives of a pair of english police detectives (also of different races and sexual orientations), hawthorn & child [...]

  • Hawthorn and Child are London detectives diligently investigating crimes, yet they are a distinctly odd pair. The entire book has an overwhelming feeling of strangeness; even the secondary characters are peculiar and eccentric. Ridgway pushes a lot of boundaries, but he does it exceedingly well. Reading this, I had the feeling of being dropped into an already existing scenario -- nothing is explained, only experienced. While unsettling, the format lends itself to the unfolding of surprise after [...]

  • I can't decide if this is a work of genius or a case of the Emperors new clothes. It's deliberately fragmentary and there were fragments that really hooked me. But there were too many other fragments that left me cold and in the end I didn't care whether I finished it or not.

  • I started reading Keith Ridgway's Hawthorn and Child on the recommendation of John Self, who was at the time embarking on an experiment to see how effectively a book could be drawn to people's attention through social media. John's enthusiastic championing of the book meant my expectations were high; equally, he'd been very clear about the type of book Hawthorn and Child is, so I knew roughly what to expect: an unconventional narrative structure, a lack, by most definitions, of discernible plot, [...]

  • Some books you wish you'd written yourself and this is one of them. When an author so easily articulates what has been spinning around in your mind for so long, in the form of a novel that is so uniquely his own - well then, you can only sit back and be grateful.There are many things to admire in this novel but I'm going to include here two quotes that get right to the heart of what I wish I could achieve as a writer:'I am not a stakeholder. I hold no stake. I pay my taxes. My taxes buy weapons [...]

  • There's a lot of buzz about this book currently so I thought I'd check it out. The Titular Hawthorn and Child are two CID Detectives who have links to every one of the somewhat disparate chapters. Chapter 1 starts off with a non-lethal shooting they investigate, but none of the succeeding chapters returns to this particular crime. The way they fade in and out of the stories reminded me partly of Norwegian Noir writer Karin Fossum's detective pair Sejer and Skarre who are at times almost ethereal [...]

  • WOW, I thought this book was incredible. Definitely the best book I've read so far this year. I couldn't put it down. Bolaño would LOVE this book. The titular Hawthron & Child are a pair of detectives who wander in and out of this fragmented novel (or is it a short story collection?) like Rosencratz and Guildenstern, or like they're waiting for Godot. The plot of the story is that there is no plot. Mysteries are unsolvable, life is nonsensical, things don't add up, there is no answer or exp [...]

  • This is a difficult book to review. It's written in fragments - each chapter is a piece of a story, some more connected than others with several recurring characters - in particular the police team of Hawthorn and Child. Many of the storylines are not resolved so be prepared to walk away with more questions than answers. If you like your novels tied up with a bow, this book is not for you. While I found this style frustrating at times, the writing kept me engaged. Some fragments (I can't even ca [...]

  • This book is so hard to describe and very hard to rate. Bits of it were fantastic, and it could easily have been a refreshing and brilliant way of writing a book. I wasn't warned/told about the concept before I read - that each chapter is a small portion of a story, left unfinished, with some overlapping characters - which actually made it far less enjoyable. I was waiting for some sort of major plot wrap-up the whole way through, and was always expecting a new chapter to revisit an old story. I [...]

  • I loved this book. Once I finished it I wanted to just start from the beginning and read it all over again. This is not a standard cop whodunit book though. If you are looking for a mystery where at the end of the day everything is all tied up and solved, this is not the book for you. This is more like tiny little capsules of peoples lives and actions strung together, sometimes with the barest of threads. When I finished the last page I had more questions than when I started the book, but in thi [...]

  • fucking brilliant, just don't expect closure/crimes being solved even though it's a kind of detective novel. 'Kind of' in that it features the two eponymous detectives, and that crimes are committed. Some very brutal, some bizarre. Motives are not explored. Sexual fantasies and dreams are given as much reality as 'reality'. The writing is incredibly detailed and strong, with a beautiful control that the characters certainly don't have. It's more like a book of stories than a novel, in that the n [...]

  • Hmmm. What the #*$@ did I just read?I like the way Ridgeway writes, I was gripped by the monologues the characters spouted in each chapter, hoping there would be a dawning moment when they all connected, even if my grip on that connection might not be too coherent. But no. There are no connections. Either that or I just didn't see them. Which is a shame because, I liked this book, but it baffled the pants off me. Can I explain? Can I review it? Can I recommend it? The answer to these and many ot [...]

  • Wonderful, eccentric, experimental, violent, authentic, moving, rich characterization, disturbing, anecd, no, fragmented respectful of the reader. murder to Rothko, from orgies to doubt.

  • This was not the book for me. I thought it was going to be a detective novel but it's not. I have no idea what it was. Or really what happened. It's probably a clever book but give me a book with a storyline over clever every time.

  • I started out thinking that this book was something fairly familiar: a dry, hard nut of a black comedy crime novel, something in the vein of Roddy Doyle or Martin Amis when he was good. But it isn’t really like either of those writers. And though it does call to mind certain pop culture tropes – notably the great British traditions of the oddball detective story (everything from Holmes to ‘Life on Mars’ and ‘Randall and Hopkirk Deceased’) and the semi-mythical gentleman gangsters of [...]

  • After I'd read this, I must admit that I was unsure why this had been picked as a Waterstones Book Club title, as it certainly isn't one for everyone. However, one morning on my bus journey to work, a man sat down next to me reading it, and we ended up getting into a discussion about it; not something I'm used to doing on my commute (I'm usually too busy trying not to fall asleep into my coffee!) So I'll preface this review by saying that, if nothing else, there's a lot in here to talk about!The [...]

  • 1) A couple of years ago Tom McCarthy’s novel C was shortlisted for the Man Booker Prize. McCarthy was rather good at sound-bites. He declared the novel ‘the Finnegans Wake for the 21st Century’ or even a nouveau roman. This was utter nonsense, of course. I enjoyed the novel a great deal but at its core it was a rather conventional Bildungsroman cleverly disguised as an experimental anti-novel.2) Narratologists are endlessly fascinated by ‘plot’ – one of the most famous books on the [...]

  • Does anyone remember The Gentle Touch? It was a British TV police drama that had many threads in the story - some were endings, some were beginnings but only one thread ever ran from start to finish in the episode.Well, Hawthorn and Child is a bit like that - except without the completed thread. There are beginnings, ends and middles with only vague themes to hold them together. Most, for example, have a cameo appearance by Detective Hawthorn or Detective Child, jobbing police detectives, or per [...]

  • 3.5 / 5.0Jaguar kitap tarafından yayınlanmış sıradışı edebiyat örneklerinden biri dahaBasit bir dedektiflik öyküsü gibi başlayan, ancak bu tarzın kalıplarının çok dışına çıkan bir roman(?) Birbiriyle ilişkili (ya da ortak karakterler içeren) öykülerle devam eden bir olay örgüsü içinde, ilginç kişilikler, olaylar dizisi Kesinlikle kendine özgü bir tadı olan bir kitap KİTAPTAN ALINTIBütün gün hikâyeler okuyorum. Bütün hafta. Okuyorum. Dinliyorum. Hikâye [...]

  • It's pretty on mark to call Hawthorn & Child an anti-novel. And the British author Keith Ridgway nailed it, superbly.He once put it that it is "a book of fragments". "The mysteries are everywhere, but the biggest of all is our mysterious compulsion to solve them. In Hawthorn & Child, the only certainty is that we've all misunderstood everything," the back of the book says.I read his interview at Asylum (LINK: theasylum.wordpress/2012/0) before reading his book, so I knew I would be readi [...]

  • A terrific novel, or un-novel, or whatever you want to call it. I love a book that strings along and plays with and confounds my readerly expectations, then leads me somewhere unexpected, and Hawthorn & Child does just that. Whereas Ridgway's earlier novel The Parts relied on interwoven and sometimes overlapping storylines, this time the stories overlap in only the most peripheral ways — sometimes literally, as the recurring detectives Hawthorn and Child are glimpsed at the edge of someone [...]

  • I'd like to give this book a 3, but it just didn't quite make it there. It was readable once I got into it. Ridgway's writing style is different, but kind of like reading Shakespeare, once you get into the rhythm of it, it's fine. And I enjoyed reading the book. The problem is that there was no plot or conclusion to the story. It seemed like there was a plot, but as the book comes to a close you realize that there will be no resolution. To anything. The book just ends randomly. It could have end [...]

  • I think I understand little of why this book is. Ridgway described as a shattered novel, and it makes sense. I found scraps that were poignant (I'd like to forward River's daughter's chapter to a friend of mine, her perception of art and art critics and cliche is heartening and real). Other shards were avenues that had no apparent relevance and dead-ended, unless I missed something. Every shard had something good but it was hard to tell where the break was sometimes and also, as I said, why this [...]

  • Something a bit more than a collection of loosely joined short stories - the links are obvious between some of them, and less obvious with others. A little disappointing in that I was waiting for a couple of pieces of jigsaw to appear than didn't turn up (isn't that always the way with jigsaws though?). But then it does make me want to read it over and see what I missed the first time around. Marked down from five stars to four because a couple of the stories didn't seem nearly as good as the re [...]

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